Collecting Online Memetic Cultures: how tho

Using insights gained from reflexive dyadic interviews undertaken as part of ongoing action research, this article positions memes new and emerging objects digital cultural heritage begins to work through the implications collecting them on museum acquisition practices. The explores how Stockholm County Museum has collected their photography activities draws out challenges that a meme’s materiality remix qualities present provenance, Copyright ownership. concludes standards should be remixed more appropriate for contexts sit within offers some preliminary suggestions tho collecting. A key feature those is my proposal being open alternative approaches ownership may these object types.